"Digital Autism, Anthropophenomena,
and Depression among Generation Z in Media and Communication Studies"
Citations: Jinadasa, M (2025)."Digital
Autism, Anthropophenomena, and Depression among Generation Z in Media and
Communication Studies. Manoj Jinadasa Blog.https://manojjinadasa.blogspot.com/2025/12/digital-autism-anthropophenomena-and.html
Abstract
This article investigates the psychological, social, and
pedagogical ramifications of pervasive digital media engagement among
Generation Z students in Media and Communication studies. Framing the
discussion through the concepts of digital autism, digital anthropophenomena,
and digital depression, it highlights how immersive digital practices reshape
cognition, emotional well-being, and social relationships. The study argues
that digital immersion produces structural vulnerabilities—such as social withdrawal,
emotional exhaustion, and cognitive overload—while simultaneously marginalizing
traditional, indigenous, and historically grounded knowledge systems in
academic inquiry. Drawing on Foucault’s power-knowledge nexus, Bourdieu’s
theory of academic capital, and contemporary empirical research on digital
behavior, the article emphasizes the urgent need for pedagogical strategies
that integrate digital innovation with cultural, intellectual, and historical
depth. By fostering a holistic approach to learning, universities can mitigate
the adverse effects of digital immersion while cultivating critical, socially
engaged, and culturally literate graduates.
Keywords: Generation Z, digital
autism, digital anthropophenomena, digital depression, Media and Communication
studies, pedagogy, digital immersion, cultural knowledge, emotional well-being
Introduction
The rapid proliferation of digital media has
transformed not only communication practices but also how young people learn,
engage socially, and experience the world. In university contexts, particularly
within Media and Communication disciplines, platforms such as Facebook,
YouTube, and TikTok increasingly dominate students’ research, creative
projects, and everyday attention. While digital engagement offers unprecedented
opportunities for expression and connectivity, it also produces profound
psychological, social, and cultural consequences.
This paper explores the phenomena of digital
autism, the digital anthropophenomenon, and digital depression among Generation
Z university students, examining how immersive digital practices shape
cognitive, emotional, and social well-being. Furthermore, it interrogates the
pedagogical and disciplinary implications of this shift, highlighting the
potential neglect of traditional, indigenous, and culturally grounded knowledge
systems in contemporary academic practice.
Theoretical and Contemporary Research Context
The phenomenon of digital immersion among
Generation Z students can be analysed through a combination of classical
theoretical frameworks and contemporary empirical research in media,
communication, and psychology. Michel Foucault’s concept of the power-knowledge
nexus is particularly relevant, framing universities not merely as educational
institutions but as arenas where knowledge production and power are
inseparable. Foucault (1980, Power/Knowledge, p. 27) observes,
“there is no power relation without the correlative constitution of a field of
knowledge, nor any knowledge that does not presuppose and constitute at the
same time power relations.” Applied to digital media engagement, this suggests
that students’ epistemic environments are profoundly shaped by digital
platforms that govern both attention and the legitimacy of knowledge.
Pierre Bourdieu’s theories on the academic
field further illuminate the structural dimensions of digital engagement.
According to Bourdieu (1988, Homo Academicus, pp. 12, 84–86),
intellectual authority and academic capital are traditionally derived from
cultural and scholarly distinction. In contemporary Media and Communication
studies, the prominence of social media topics and online metrics may convert
digital visibility into symbolic capital, displacing engagement with deeper
cultural, historical, and theoretical knowledge. Consequently, the field risks
privileging superficial or performative expertise over critical intellectual
labor.
Empirical research highlights the psychological
and social implications of pervasive digital immersion. Twenge and Campbell
(2018, The Narcissism Epidemic) demonstrate that Generation Z
exhibits higher rates of anxiety, depression, and social withdrawal than
previous cohorts, largely correlated with intensive digital media use.
Similarly, Orben and Przybylski (2019, The Association Between
Adolescent Well-Being and Digital Technology Use, Nature Human
Behaviour, 3:173–182) provide evidence that frequent engagement with social
networking sites is associated with reduced subjective well-being, increased
emotional distress, and social isolation. These findings align with the concept
of digital anthropophenomenon, wherein virtual environments fundamentally
reshape perception, identity, and affective experience.
Shapiro and Margolin (2014, Growing Up
Wired: Social Networking and Adolescent Development) emphasise the risks of
“online-mediated socialization,” arguing that constant connectivity reduces
opportunities for real-world social interaction, mindfulness, and resilience.
Developmental psychology frameworks, such as Vygotsky’s (1978, Mind in
Society) theory of social learning, underscore that authentic cognitive and
social development depends on embodied interaction within cultural and
environmental contexts. Digital-only engagement may limit such development,
contributing to what can be conceptualised as digital autism or digitally
mediated social-emotional deficits.
Postcolonial and media studies perspectives
further elucidate the structural dimensions of digital knowledge practices.
Scholars such as Appadurai (1996, Modernity at Large) and Castells
(2011, The Rise of the Network Society) emphasise that global
digital media networks are embedded within cultural, economic, and political
structures, which influence how knowledge is produced, circulated, and valued.
Students’ preference for digital-only topics may reproduce inequities in epistemic
access, marginalising indigenous knowledge systems, historical media practices,
and non-digital cultural literacies.
Integrating these theoretical and empirical
insights, it becomes evident that contemporary university students face a
complex nexus of cognitive, emotional, and cultural challenges. Digital
platforms simultaneously offer new epistemic opportunities while producing
structural vulnerabilities in social cohesion, mental health, and critical
engagement. Understanding these dynamics is essential for designing pedagogical
interventions that foster not only technical competence in digital media but
also holistic intellectual, emotional, and cultural development.
Discussion
Patterns observed within my department and
closely affiliated Media and Communication institutions indicate that most
undergraduate and postgraduate students increasingly select research topics
focused on digital social networks and virtual media platforms such as
Facebook, YouTube, and TikTok. This raises the question: why has digital media
become the dominant intellectual focus for this generation?
While these topics are academically
significant, there is a growing experiential and psychological distance between
younger students and older generations of teachers. Generation Z students, born
from the 1990s onward, appear to inhabit fundamentally different cognitive,
emotional, and social worlds. Many exhibit challenges in social closeness,
emotional intelligence, sustained interpersonal relationships, mindfulness, and
resilience. They also face difficulty coping with uncertainty, risk-taking, and
unexpected life scenarios.
Increasingly, students struggle with
psychological and emotional well-being, including stress, anxiety, panic
disorders, and depression. From my observations, these challenges are
structural rather than individual, emerging from what may be described as a
digital anthropophenomenon—a lived condition in which digital environments
profoundly shape perception, interaction, identity, and emotional regulation.
This phenomenon can also be conceptualised as
digital autism or digital illness, characterised by cognitive overload, social
withdrawal, reduced emotional resilience, chronic mental fatigue, and
persistent feelings of isolation despite constant digital connectivity. These
conditions are often accompanied by headaches, emotional exhaustion, diminished
happiness, and heightened psychological vulnerability.
Within this context, digital media is not
merely a research object or communication tool; it is an embodied psychological
environment that reshapes how students experience relationships, manage stress,
and understand themselves. While digital platforms provide visibility,
expression, and participation, they also intensify emotional risk, insecurity,
and mental pressure. Consequently, happiness appears fragile, while stress,
anxiety, and depression become normalised features of student life.
Notably, immersion in digital environments has
contributed to physical and social remoteness, reducing engagement with others
and weakening connections within communities. Both students and teachers often
experience diminished cultural proximity and social closeness. This
overexposure to digital environments—the “digital autism” phenomenon—erodes
freedom, leisure, and meaningful interpersonal connections, affecting both
younger and older generations.
A further consequence is the neglect of
traditional learning practices. Students often bypass reading textbooks,
observing their environment, and learning from direct experience. Instead, they
engage in imitation, fragmented consumption of content, and superficial
learning. Within Media and Communication departments, the focus on digital
platforms and peer interactions often overshadows engagement with broader
intellectual and cultural knowledge systems.
Consequently, students increasingly avoid
research on non-digital, indigenous, or historically grounded topics such as
printed media, television, radio, magazines, classical literature, media
narrativity, traditional dance, music, art, ritual practices, and other social
and cultural aesthetics of communication. The exclusive focus on digital
platforms represents a substantial loss for disciplinary inquiry, especially in
terms of cross-cultural and interdisciplinary perspectives.
Integrating knowledge from traditional,
archival, and indigenous systems alongside digital scholarship could yield a
more comprehensive understanding of media and communication. Postcolonial and
postmodern theorists emphasise that meaningful research emerges from dialogue
between historical legacies and contemporary knowledge systems, underscoring
the importance of bridging past and present epistemic practices.
Conclusion
Digital media has transformed university
learning, offering both opportunities and risks. Generation Z students’
engagement with social networks and virtual platforms fosters visibility,
creativity, and connectivity, but also produces structural challenges in
social, cognitive, and emotional wellbeing. Digital autism, digital
anthropophenomenon, and digital depression exemplify the psychological
consequences of pervasive digital immersion, affecting students, teachers, and
institutional cultures.
Moreover, an overemphasis on digital research
topics marginalises traditional, indigenous, and culturally grounded knowledge
systems, narrowing the scope of disciplinary inquiry and intellectual rigor. To
address these challenges, universities must integrate digital innovation with
historical, cultural, and indigenous knowledge in pedagogy and research. By
doing so, academic power can be reclaimed not merely as institutional
visibility or digital popularity, but as the capacity to generate rigorous, socially
transformative, and culturally grounded knowledge. Such a reorientation is
essential for sustaining the intellectual, emotional, and cultural vitality of
Media and Communication studies in the twenty-first century.
References
Appadurai, A. (1996). Modernity at
large: Cultural dimensions of globalization. University of Minnesota Press.
Bourdieu, P. (1988). Homo academicus (P.
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Castells, M. (2011). The rise of the
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Foucault, M. (1980). Power/knowledge:
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Orben, A., & Przybylski, A. K. (2019). The
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Human Behaviour, 3(2), 173–182. https://doi.org/10.1038/s41562-018-0506-1
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Vygotsky, L. S. (1978). Mind in
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